Book Review: The Baggage Carousel

Sometimes when you re-read a favorite novel from years ago, it doesn't hold up. That was not the case with David Olner's The Baggage Carousel, a novel I first read on a writing site before it was published. I believe the gist of my critique was: "Get this published!" I'm glad he decided to take my stellar advice. ;)

In this novel, the super-flawed main character falls in love on a back-packing trip to Africa. When the object of his affection makes promises and then proceeds to ignore his emails, Dan's heartbreak turns obsessive. In alternating narrative, the reader also gets to know Amber, who is on the edge of vapid, but still manages to be sympathetic. The two narrate different timelines so that the story unfolds as a puzzle and the missing piece isn't delivered until the very end.

Throughout, the quality of the writing stands out. Dan is darkly witty, his tangents from the main plot not only illuminate his character, but are fun to read. The way it's organized is especially clever and the ending comes together like a lightning bolt. Of course, you think as if you saw the twist coming, though you didn't. The ending is terribly satisfying, with just enough pain and the requisite growth from each character.

I highly recommend this book.

Interview with author Liz Hoban

I think it's so helpful to hear from other writers about their process and publishing experience, so I jumped at the chance to pick the brain of author Liz Hoban, who just had her second novel (third book) published last month.  Check it out!

I read your book awhile back for our women's fiction critique group. At the time, it had a different title- which leads me to my first question: How did the title change come about? Whose idea was it? How much input did you get?

Thanks so much for your interest in my latest book TheSecrets That Save Us.  The book was posted on Authonomy as A Fine Pickle – the odd thing about this title was I had it before I even had a story line for the book - a friend of mine had a later in life pregnancy and she said, “Well this is a fine pickle, isn’t it.” and from that point forward her baby’s nickname became Pickle.  And a storyline later took hold. 

After incredible feedback from the Woman’s Fiction Critique Group (WFCG) on Authonomy and with several other writers there believing the title was too light-hearted I was forced to consider a new title.  After making the editors desk in July 2014, I began sending queries out to agents and I received a very positive response from literary agent Elizabeth Weed.  She was no longer taking on new clients but gave me an encouraging critique of the first third of the book and when she commented that the title didn’t fit the heaviness of the material I knew I needed to change it. My son Ryan is my best reviewer and he had read the manuscript and suggested the title The Secrets That Save Us. 

The input from the WFCG was priceless and the book evolved from there.  The original story was written in first-person, POV from the two sisters but then after all the feedback from Authonomites and Elizabeth Weed I switched it to third person POV.  That took months of editing and even when I received the galleys from the publisher I found a few POV mistakes here and there.  It took a tremendous amount of editing but I am very happy with the outcome. 

Can you tell me a bit about your path to publication? This is your second book with this publisher so I'm assuming you're happy with them. How did you find them? How long did it take? Did you query many agents first or did you head straight to publishers?

I already had two other published books and had heard it was easier to get an agent with a bit of a writing resume.  Not true, I’ve learned, unless you have a best-seller.  I queried about ten agents, received excellent feedback but no representation.  In the end, I decided to go with my publisher for The Cheech Room since I knew they did nice work, paid a modest advance and work very closely with their authors. Part of the decision to take that easy route is because I have the attention span of a housefly and I really just wanted to see it completed and in print.  I find it very distracting to move on to a new writing project with loose ends of another hanging over my head.  Although I have several novels I’ve started – one is currently on Authonomy – Baby Mac -if the novel is completed, I am compelled to get it in print.  

I made a deal with myself years ago that I would never pay a publisher to publish my books and that the money would go only in my direction and not the other way.  Old LinePublishing is an independent publisher located on the East Coast in United States.  They print about 20 titles a year and as I mentioned they work closely with their authors.  When I was trying to find a home for The Cheech Room, I discovered a website called First Writer and it was there that I came across Old Line.  First Writer does charge a small annual fee but what I love about it is every day I get an e-mail from them with agents and publishers looking for new clients, along with contests, etc.   Not only did I get a publisher through them but I have since had a few short stories published with various periodicals – all from their daily recommendations.  After submitting the first time to the Old Line I heard back fairly soon – maybe a week.  With this second fiction book, The Secrets That Save Us, I heard back within a day but it’s probably because they already had me as a client.

After I finished the Cheech Room and prior to it being picked up by Old Line and way before I started The Secrets That Save Us, I got a writing offer I could not refuse.  My father had an amazing WWII/POW bomber pilot experience that didn’t come full circle until he was 92.  He had saved an Austrian village and in 2007 our family was invited to see the unveiling of a monument in the Alps in my father’s honor.  The whole thing was an unforgettable experience and I remember saying to him on the flight back from Europe how his story would make an excellent book and he said, “Well then write it.”  Of course, I am not a history enthusiast and have never attempted a non-fiction book but I decided I would spend the following year interviewing my father about the story and lo and behold I completed The Final Mission in two years (just so you have an idea - The Cheech Room took ten years)  Getting this book in print was like a writer’s dream come true because when I completed the manuscript I sent it out to ten publishers just to see if there was any interest and I received three phone calls that same day asking for the full manuscript.  We sold the book to Westholme Publishing because they offered the highest advance and seemed the most passionate about the project.  About a year later the book was in hardcover, paperback and e-book form.  It has currently sold over 10,000 copies and it is required reading for many colleges across the country as well as high schools. The best part of the book’s release was going to local Barnes and Noble bookstores and finding it on their shelves in the front of the store.   

The opening of The Secrets that Save Us is such a great hook. I dare anyone to read it and not need to read on. Tell us what the book is about and what genre it would fall under.

Although the book is fiction –contemporary literature genre - this book is very much steeped in the collapse of the World Trade Center.  My brother was a first responder – he survived that day and then the next day was able to get me to Ground Zero because I have a military ID and a medical license.  The devastation I saw 24 hours after the collapse changed my life and I knew that someday I would figure out a way to write about it without trivializing the experiences in a fictional account. 

The Secrets that Save Us is about two sisters who miss their train to their jobs in the World Trade Center’s North Tower on the morning of September 11^th 2001.  Both are harboring deep secrets that will radically alter their lives.  The storyline revolves around the aftermath and there is a twist at the end the reader will not see coming which of course links to the start of the book you mention in your question. It was selected as One To Watch by Harper Collins whose editors described it as “…shades of Gone Girl and Before I Go To Sleep.”  The Cheech Room had also been a One to Watch and the nice thing about that is even though Harper Collins didn’t take-on either book – I was able to use the editors comments on the back cover of both books.    

I've heard rumors that your first book, The Cheech Room, might be made into a movie. Can you talk about that?

The Cheech Room was released in 2012 and is now in the process of being written as a screen play through my publisher – eventually it will go to auction and bidding in Hollywood.  It would be very nice to see this book made into a movie but that process takes years.  I was fortunate with The Cheech Room, (even though it took ten years to complete) that it was released the same year as The Final Mission so it sort of sailed on those coat tails. 

 

How long have you been a writer? How much time do you typically spend working on a book? How do you know when it's done?

I have always loved writing – kept journals as a teenager but it wasn’t until my sons were born that I began to get paid for writing.  For several years in my late twenties and early thirties as a stay-home mom I wrote magazine articles and newspaper columns. It wasn’t a lot of money but enough to make me feel good about what I was doing. 

Of course, my boys became teenagers and in 2000 I began writing The Cheech Room which is based loosely on something tragic that happened in my neighborhood.   The Cheech Room took a decade, The Final Mission was two years in the works, and The Secrets that Save Us was about three years.  It is difficult to say how long a book takes to write because so many other things can get in the way like employment, raising kids, family, etc. My goal at this point is to write one novel a year. I have a Young Adult series I am working on currently however my personal yearly deadline is December and I am behind schedule.  I try to write at least a page a day but occasionally fall short. 

Finally, here's a more philosophical question to end with: Why do you write?

It is very difficult to spend so much time on something and not see it in print and/or make any money so why do we do it? I write because I don’t know how not to is probably the best answer.  I was at a lake party this past weekend and there was a constant niggling in the back of my head that I needed to get home and get writing. I do not watch television although The Voice is my guilty pleasure.  I have a full-time job as a nurse practitioner at a college so there is no way to get any writing done at work which relegates the evenings and weekends.  It is easy to get distracted with writer’s sites and forums, etc.  I allow myself a half hour a day to surf writing forums and such but then I get down to business.  I also am an avid reader which makes writing a bit easier because it is studying the art of writing when you read other’s works.  I have a commute everyday so I do audio books, about two a week.  If I hear a turn of phrase I really like or I wish I wrote, I pull the car over and jot it down. I have written things on tissues with an eyeliner and even went as far as to write on my hand if it is something that inspires me. Unfortunately, writing is a very lonely business but if you are compelled to do it, you will carve out the time.  I am sure over the years my family got tired of seeing me behind a computer screen while they were having fun but just the other day I was thrilled when my oldest son who just turned 30 told me he had written a short story he’d like me to take a look at.  I wanted to say something like, “Are you sure you want to venture down that highway?”  But I told him I’d love to read his work – after all, if he’s been bitten by that bug there is only one cure - to write.                  

The truth about agent queries

When I got my first book, Monsoon Season, published in 2012, I thought I'd made it. Really, it was just the beginning. After a lackluster release of my second novel, I got out of that contract and rereleased A Long Thaw on my own. Both books have kick ass reviews on Amazon, by the way. Meanwhile, I've been sending agent queries for Finding Charlie and getting the nicest rejections ever.

In fact, I've sent more than fifty queries for this book and I've gotten a really promising response. I've had requests for full reads from about a third of those, many from top agencies, like Writer's House, Trident, ICM, Levine Greenburg, etc. One of those agents called me on the phone to discuss my book.

I keep getting the same response. Here's the remix:

"We’ve determined that this particular project isn’t the right fit for our agency at this time.  As I’m sure you know, the publishing industry changes swiftly now, as do readers’ tastes and trends."

"Given how competitive the market is, I worry I'd have difficulty placing it. I'm going to step aside so you can work with an agent who will give your work the full enthusiasm it deserves."

"Do query others; you deserve an agent who will really fall in love with this, and who has the vision for your work that will help you achieve the career you want."

"We would like to encourage you to consider querying us with future projects as you may deem appropriate."

My debut novel sold over 10,000 copies. Finding Charlie is ranked #12 on Authonomy and is top rated on Book Country. I'm running out of ideas. The other great writers I know, even those with publishing history, are hitting a similar wall. So I think I'll reply to the latest agency rejection. What do I have to lose? Something like this:

"I appreciate your getting back to me. Your response echos the one I've gotten from more than a dozen agents who asked to read the full and then passed. I'm at the end of my list of agents to submit to.

 I have a super thick skin and would love an honest answer to this question: Do you think Finding Charlie is not ready for publication or is it just not right for your list? I'm sorry to put you on the spot but would really be grateful for your insight.

How's that? If I get some clarity, I'll pass it on. 

Interview: Cass McMain

Cass McMain is a friend I've made by participating in the writer's website, authonomy.com. First, I knew her as a thoughtful critiquer- she will only give advice if you beg for it. She loves to read and is one of the few reviewers on the site who will read not just the first chapter or chapters, but the whole thing. She is very gentle with writers and will not offer opinion or criticism - even spelling errors! - unless the writer is sure they're ready to hear it.

It was after her read of Monsoon Season that I tracked down her story, Sunflower, which remains one of my favorite books on the site. I was absolutely thrilled to hear that it was going to be published. The following is an interview with Cass.

When you write, do you have an idea of where the story is going? Do you know how it ends? And, if you think you know, does it ever change?

    Well, yes and no. I try to know where I’m going. Generally speaking, I’d say I know the street but not the address. Sometimes it’s more like I know the city but not the street! The end of Sunflower was something of a surprise to me; I had initially expected a far less happy ending.

How long did it take to write Sunflower? Is this your first novel?

    It took me a year to write Sunflower, and yes, it was my first novel.

Have you become more confident with your work since joining authonomy, getting more feedback, and ultimately finding a publisher? Did you send out query letters or did they track you down?

    I’ve waffled back and forth between feeling confident to feeling totally dismayed. Authonomy has been a blessing and a curse. But yes, some of the feedback I had there was very meaningful. Ultimately, that was how I found a publisher, so I think it’s been well worth the trip. I didn’t have the courage to send query letters, but representatives of Holland House spotted my work on Authonomy.

What does being a published author mean to you?

    Oh, that’s a hard one to answer. I had my career jerked out from under me and it’s about broken my heart. Being able to point to something I did that wasn’t a total failure may help me get over some of the despair I’ve been mired in for the last several years. Then, too, it may not. That’s a depressing answer; I’m sorry.

What else are you working on?

    I’m writing a book about a dog. I had neighbors with a dog who barked all night. I usually lie in bed at night and think of things I’d like to write about. Finding that my thoughts were entirely focused on the barking that had become my life, naturally a barking dog entered my writing. But of course, the book became about much more than that. See? The dog told me where the street was, but I had to look for the address. I’m homing in on the finer details now.

 Cass is also a reluctant blogger. Her recent post on the mind numbing customer service of your average call center had me nodding and laughing along.

Sunflower will be available this month.