Somewhere between the successful release of my best-selling debut, Monsoon Season, and the lackluster release of my second novel, A Long Thaw, I began to feel like the publisher I was working with just wasn’t the right fit for me.
Getting out of the contract without an agent was a bit tricky, but I did it and I re-released A Long Thaw on my own. The process has been exciting, giving me complete control over how the book is promoted and getting immediate feedback regarding sales.
Since A Long Thaw was previously traditionally published, it's already been professionally edited and vetted by a standard gatekeeper, which hopefully will help give it that little extra bit of credibility in the sea of self-published books. All I had to do is find the cover, which I love.
I’ve always imagined A Long Thaw as a modern interpretation of the old prince and the pauper story. Abby and Juliet are cousins who, until the age of ten, live the same privileged, sheltered lives in a big Irish Catholic family. When Juliet’s parents divorce, her mother moves across the country so that she no longer has that safety net. The cousins reconnect in their twenties and the book deals with the ways we are changed by our experiences as well as the ways we are unchangable.
As a writer (and human being), I am endlessly fascinated by issues of identity and family dynamics, by the nature vs. nurture debate. These are things that inevitably find their way into my fiction.