I
did a series of author interviews for another website long ago and I've
decided to repost them now that the other site is no longer active so
they'll continue to be accessible on the internet. I always found it
reassuring to hear from different writers the way that there really
isn't just one way to be a writer. I think that kind of reassurance is
evergreen so please enjoy this one from 2018:
Jeanne Felfe
is a women’s fiction author whose debut novel came out in 2016. Always
curious how other writers make the journey, I asked her a few questions
about writing, publishing and her support system. Here are her answers.
When did you start writing?
I
actually have a notebook from Junior High that contains some of my
writing, so back at least that far. However, I didn’t write seriously
until around 2012. I “played” at writing, but would start and then stop
for months at a time.
When did you decide to pursue publication?
The Art of Healing began its life as a short story for a Writers Digest contest in 2003. A friend mentioned Camp Nano in July 2013, the
day before it started, and I decided to turn that short story into a
novel, even though I knew two weeks of that month were already booked.
Although I didn’t write 50K words, I did make it to 21K, which was the
most I’d ever written on a single story. The writing bug caught hold
that time and hasn’t let go. It took me three years to complete The Art of Healing,
and I published it in June 2016, knowing absolutely nothing about
pre-launch and marketing. I knew half-way through that I would publish
my first book as an Indie author – it just felt right.
Describe your book. Who is your audience?
The Art of Healing
is a blended Women’s Fiction/Love story. Although the love story is
central, it’s not a true romance. And though it has a satisfying end,
it’s not the ending one might expect. The main female character,
pediatric nurse Julianne Garvoli, has fooled herself into thinking her
life is perfect – that it’s her dream life. Until she comes home one day
to learn that her perfect life is anything but perfect. The main male
character, photographer Jokob O’Callaghan, is definitely living his
dream life, with his wife Keara. They travel the country in an RV
creating works of art from his sunrise/sunset photos, and her poetry.
When his life is shattered, he hides behind his work. A chance meeting
between Julianne and Jokob in St. Louis at one of his art shows opens
the door to a possible future together that neither really wants due to
their brokenness. In spite of themselves, they find themselves falling
in love. But life may have other plans for them.
The ideal audience is a reader who enjoys a
deeply emotional journey through pain and healing. A story of growth
and forgiveness, and of learning that we all deserve a second chance at
love.
The Art of Healing was a quarter-finalist in the Booklife Prize 2017 Contest, where the judge said, “…This
satisfying novel has a traditional romance plot, but infuses it with a
depth and introspection that keeps the story fresh. No space is wasted
on tangents, and the plot comes to a gratifying climax.”
Do you consider genre before you start writing or after the book is complete?
I should, but don’t.
When a story floats into my head, I don’t question what it is, I simply
write it. However, most of my stories revolve around strong female
characters, and fit into some sub-category of Women’s Fiction. That
said, I also write short stories, many of which have won contests and
been published in several anthologies. My short stories range from humor
to horrific, and just about everything in between, including a couple
of fantasy. I’m never sure where the ideas come from, but they are
usually a flash of a character or scene, and I follow wherever the stories lead.
Do you have a critique group or support network? Do you let people read early drafts?
I am truly blessed to belong to Saturday
Writers, a chapter of the Missouri Writers Guild (MWG), and began
serving on the board in January 2017. I also served on the MWG board for
the 2017-2018 session. Saturday
Writers is my writing home and I belong to two novel critique groups
made up of several of its members. I can’t imagine trying to write a
novel without their support. These two groups (one made up of six
women), along with a tightly knit Facebook group, are the only ones I
allow to see early drafts because I trust them completely to be honest
without destroying me. That wasn’t the case early on when I received
some critiques from writers who were not kind, nor supportive but were
rather demeaning. I quit writing for a while because of that feedback.
Now I am selective. My FB critique group has been writing together since
2014 when we participated in short story workshop together.
Learning
which feedback to take from any particular critique partner is
something all writers must figure out. Many beginning writers will take
anyone’s feedback and make changes that may not serve the story, perhaps
changing the voice beyond what truly works.
What are you working on next?
I am so excited to be working on my second novel, The Things We Do Not Speak Of.
One day I had a flash that a teenage boy, Daniel, the pastor’s son, had
disappeared. When I asked what happened, the voice of fourteen year old
Cadey Farmer, a Somali Muslim refugee came through as if she were
sitting in my kitchen telling me her story. I ran with it, not truly
knowing where it would lead. I knew the beginning and the end, and I
knew what had happened to Cadey and Daniel. The rest comes to me in
flashes of conversation (how I usually write) between the various
characters. I am trying something different. Cadey’s voice came to me in
1st person. There are multiple other point of view characters, all in
3rd person (but all with their own chapters and/or scenes – it’s not
omniscient, but rather deep POV for each character). I’ve never read a
novel that does this, and it probably breaks a bunch of rules, but all
my critique partners tell me it works this way.
The
story is a blend of coming of age, family drama, small town bigotry,
religious clashes, and mystery, all rolled into one. After the Farmer
family moves from Atlanta, where they settled six years earlier after
escaping Somalia, to (fictional) Savannah Falls, South Carolina, young
Cadey makes a decision that rocks her family, and rattles the
townsfolk. Her decision sets up a collision course, forcing a change in
deeply held beliefs on all sides. The story dives headlong into
generations of racism and prejudice, of small town rivalries, and hidden
secrets.
I
hope to finish it by the end of the summer and will then begin
submitting. All three of my critique groups have been reading it as I
write it, so by the time I finish it will have had over ten sets of eyes
on it.
For more information, check out Jeannefelfe.com.